ARREPIA

Pedro Izique is a Creative Director at Someplace, Los Angeles.

Izique has won numerous times at Cannes and has been featured in Luerzers Archive, Monocle Magazine, CCSP, LatinSpots, Portifolio Lovers, Adage, Campaign, Adweek, Muse by Clio and others.

Selected work

WINNING ISN’T FOR EVERYONE

Directed by Kim Gehrig

Nike Summer Olympics Global Campaign

SEEN AT ALL

Directed by Spike Lee

Nike 50th Anniversary Global Campaign

THE SWITCH

Directed by Ringan Ledwidge

Nike Euro Global Campaign

1981 Futbol

The art of Football art.

1981 Futbol Project emerged from his love to Football, a celebration of the world’s most beautiful game.

A collab with The End. Animated by Paulo Sampaio.

During every Copa America 2021 match, 125 Brazilians died of Covid-19. We started a movement for whoever wins the tournament should not lift the cup.

1981 FUTBOL ON INSTAGRAM

Animation

Pedro’s first solo commissioned animation was when he was 16 years old. Since then, he was lucky enough to collaborate with some of the most badass Animation Studios in the business, such as Buck, Elastic, Lobo and many others.

Design

All Pedro’s design work starts with the same question: What is the world that has to be created for this idea to live in? His choices are never made by self-taste, but from the study of pre-existing visual iconography related to the idea.

In 2016 Portugal played the EuroCup final in Paris against the home nation team, France. Nike challenged us to create an icon to celebrate this amazing victory. “The Eiffel Power” was launched right after the game in all Nike’s channels staying on in the following weeks.

Photography

Pedro is a dilettante photographer, in other words his photos comes from the place of love. Throughout the years, Pedro’s style has developed to Classic Street Photography where he goes unnoticed, standing on the borderline of too being close or too far.

Even as an amateur photographer, Pedro has exhibited works in many local galleries in São Paulo, Brazil.

Painting.

Pedro is a versatile artist, he transits from ink to photoshop to collage without losing his organic style. His work has been recognized by several international Comic Books Festivals, he was also included among with the 200 Best Illustrators by Archive Magazine, four years in a row.